New York

THE PROCESS OF MAKING ART - are you planned or spontaneous?

I have heard some photographers say that they knew what their final image would look like before they even pushed the shutter button.  They could see in their mind the image they ultimately wanted to create and so they set up everything - the who, the where, the when, the how - in order to gather the raw data they needed to create the image envisioned.  

I wonder… is that how it works for you?  

I don’t find that happens for me very much.  And often I find that if I do have a preconceived notion of what I want to create and I pursue that, I don’t end up liking it as much as when I allow for more spontaneity to come into the process. 

Other artists profess the way to find creative brilliance is to focus on the process of making art rather than the end result.  I do find that approach rather freeing but I’m not sure that exactly describes how things work for me either.

When I set up and took the image above - I most certainly had no idea it would end up looking like the finished product you see above.  The process in fact was one of chance for me. On the morning pictured I was awakened by stray sunbeams flooding through the hotel window thanks to me forgetting to pull the heavy curtains the night before.  When I looked out the window I noticed the light was bouncing off the glass and mirror of the buildings in interesting ways so I decided I would see if I could collect some raw data of that.  Now, months later I selected this raw file and started to work on it in the digital darkroom (Adobe Lightroom and Photoshop) with the hopes of creating a companion piece for my other new NYC image.  There was no plan in the initial capture of the raw data but there was some plan in the processing though admittedly it is not as I had expected.

Maybe how we each make art is a custom blend of planning and spontaneity.  And where the individual lies along the line between the two poles has something to do with the limitations or skills you have in the different areas.  

I know my own process both in the field capturing the raw data and later in the dark room creating art is a a constant shifting along a middle ground between planning and spontaneity.  
When I decide to go out to shoot, I try to set myself up to find beauty or a beautiful story.  I will check the time of sunrise or sunset (using the photographers ephemeris app) and the weather and if I heading to a new place, I will research what other photographers have done at that place to see if it can give me a clue as to where others have found beauty.  But then I just go because I have found that beauty is usually there - regardless of the time, weather and what others have found before.  I show up and stay in tune with what catches my eye.  
Later, when I open up the raw file to create an image, again this waffling between planned and spontaneous creating happens.  I will sometimes start out with how I want an image to look - but often the end image is a result of allowing myself to experiment and enjoy the process of making art.

So here is my big take away.  However you make your art - where ever you fall between planning and spontaneity - is the best way for you to make YOUR art.  The point is you are MAKING art.  I think it is definitely useful to understand how others do things… there is always something to be learned from others (particularly those who’s art you admire) but the best way for you is just that… the best way for you.  

Have fun creating this week my friends!

Sources of Inspiration:  
Many things help to inspire my posts - books, movies, conversations... this post I think was largely inspired by a few things I've been reading.

  • I have just started reading The Artist's Way - A Spiritual Path to Higher Creativity by Julia Cameron.  I have owned this book for over 10 years.  For some reason I have finally opened it.
  • I recently watched a video by Miss Aniela in the Arcanum Grand Library in which she provided a link to this article she wrote.  I love her art but also how eloquently she expresses this idea of creating spontaneously.
 

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HOW TO CREATE A MAGICAL IMAGE OF NEW YORK CITY

The thing I love best about a city is the lights!  A city at night is a magical thing... the grit and grime gets washed away by the shadow of night and bathed anew in the multi-coloured glow of lights.  Alright, I admit -  that's a bit pollyanna but you know what I mean right?  I was in New York City a while back and couldn't help but snap a bunch of photos of all the lights.

I've been working on this image (which is looking towards the epicenter of lights at Times Square) for a while.  It's the result of my attempts to blend photos that are related to create a new image with greater impact. In this case I took several photos of the same thing - 5 focused exposures tone mapped in Photomatix, and 2 out of focus images of the same thing with nice round bokeh of the lights. I played with the with bokeh to get the right intensity on the colours, then created a tilt filter effect on the in-focus HDR layer using Topaz Lens Efex and and finally stacked them up and used the lighten blend mode in photoshop to give the feel of a double exposed image.

If I've lost you now, my apologies - go ahead and skip down to bottom of this post (below the video).  BUT if the last paragraph got the wheels spinning in your brain... read on to find out what inspired all this plus a cool how to video.

My new experiment on this New York image was inspired by several things - a love of bokeh lights, tilt shift and double exposed images.

I've been playing around with creating bokeh images for a while now.  Between holiday time and the ice storm I've been served lots of opportunities lately to experiment.  You might remember images from some of my recent posts - like this one? And this one?

Add to that my recent discovery of takashi kitajima, who's tilt shift, bokeh, city lights photos I find nothing short of captivating. Go ahead - google him, circle him, plus one him or follow him - I'll wait.  Just make sure to come back here afterwards. :-) 

Then layer on the idea of making "double exposure" images.  Yes - I came across some beautiful examples of this recently made by Dylan and Sara Photography and then found their video below of how to do this in camera!

So I got wondering what would happen if I combined all these things I loved.  Bokeh, tilt shift and double exposure ideas.  My image posted here is a first crack at it.  It's not 100% there yet but it's moving in the right direction... it has the right feeling... a little bit magical.

Which is exactly what I wanted - 'cause that's what I love best about cities.  

What about you?  Do city lights captivate you?
Have you ever tried to blend a few different techniques on a single image?  Did it turn out the way you had planned/ hoped?

Go ahead and let me know in the comments below, and have a magical weekend everyone!

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